www.annemoore.net

 

 

 

 

 

About

I’m a Chicago-based writer and reporter. I’ve reviewed books for People, vacation spots for Outside and spent more than two years eating my way in and around the Loop for Crain’s Chicago Business, where I was chief restaurant reviewer. I started my journalism career at the Bergen Record, in Hackensack, N.J., where I wrote about business and contributed to the travel and book review sections. (I loved writing for a daily newspaper.) In Chicago, I contributed front-page stories and inside-the-book news and features to Business Week, Crain’s Chicago Business, Chicago Tribune, Chicago, Time Out Chicago and the Chicago Reader. I have three signed entries in the Encyclopedia of Chicago History.

I grew up in a loving family in idyllic Demarest, N.J. I became an urbanite during high school, where I attended and graduated from Marymount School of New York. I began writing professionally while I was a student at Barnard College, Columbia University.

A collection of poems I wrote during college won the Lenore Marshall Prize for Poetry. When I talked to my advisor about careers, she paused and said, “Well, of course, you’ll be a poet. That seemed too solitary. I wanted to find and tell stories, to explore! So, I took a job at a newspaper. I’ve been writing daily ever since.

A note about this site. I’ve posted about 10 clips, from mini reviews to multipage profiles. Also “The Bicycle Poem,” which won the prize that started my career.

In the blog

Expanding on what they do best, the Chicago Humanities Festival will present a themed four-day event this spring, their first ever. (April 28 – May 1.) The subject is style. Headliners include fashion icon Iris Apfel, media entrepreneur Arianna Huffington, Washington Post fashion editor Robin Givhan, Black Lives Matter founder Alicia Garza, photographer Sally Mann,

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It’s so satisfying to be in the hands of a seasoned storyteller. In a row, I read three newly published novels written by authors who have been winning prizes and selling boatloads of books for decades. What sets their work apart? The art of storytelling: what to show, what to hold back. Dialogue, description, pace.

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Summer is over, winter is upon us: reading is a constant. One I loved — every single page — is Ian McEwan’s The Children Act. Let’s review my feelings for Mr. McEwan’s work. I thoroughly enjoyed his last two efforts, the spy spoof Sweet Tooth and the environmental satire Solar. Both are wise and well

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