www.annemoore.net

 

 

 

 

 

Art & Food: New York

I had three days in New York and did what I always do in a great world city: eat well and see art.

First stop: John’s Pizzeria (278 Bleeker St.) Baked in a coal-fired brick oven, it really is the world’s best thin crust. John’s is two small rooms; a line trails down Bleeker Street most evenings. Go for lunch.

Next: The Morgan Library & Museum (225 Madison Ave.) for “Pages of Gold,” art cut from medieval msm619v_21manuscripts (through Sept. 13). Exquisitely illustrated scenes from the lives of the saints, often in gold. Many look like intricately woven tapestries. Also at the Morgan: “Acquisitions Since 2004,” a thrilling hodgepodge of letters, manuscripts, drawings, watercolors (through Oct. 18). Among the treasures: a handwritten manuscript of Oscar Wilde’s “The Selfish Giant,” a Beethoven score (messy!), an Arthur Getz inked-up notebook opened to ideas for Fourth of July cover art.

During a short film about the Morgan’s history, this question was raised: Why collect, preserve, display original works on paper? Because they’ve been touched by the artist’s hand. (www.themorgan.org)

The next day we dined on croissants from City Bakery, (3 West 18th St.) Who says New Yorkers are rude? The clerk made sure our croissants were hot from the oven, instead of the ones already cooled.

vu_srgm2_crop_205More art, though not what I’d planned. I wanted my 10-year-old daughter to experience the Guggenheim Museum (1071 Fifth Ave.) inside and out. (www.guggenheim.org)

She did, sort of: a show devoted to Frank Lloyd Wright’s work — mostly architectural renderings, on paper — hogged the curlicue hallway and many adjoining galleries (through Aug. 23). As Alex said later in the day: “It’s better to go see the Robie House, or one of his other buildings, because then you’re in it and you understand why he built it that way.”

Day three (prosciutto and fresh mozzarella panini, ingredients from Zabar’s, 2245 Broadway) trumped all others: my sister insisted we go to the Neue Galerie (1048 Fifth Ave.) to see its collection of German and Austrian art and crafts, and its prized possession: Gustav Klimt’s “Adele Bloch-Bauer 1” (1907).

imagesRegardless of the work’s rich backstory, standing in front of this portrait gave me the chills. A daring composition, I was awed by its scale, kaleidoscopic imagery, and beauty. It’s the Mona Lisa of its time. See it. (www.neuegalerie.com)

Also in the blog

Books: “The Cat’s Table” by Michael Ondaatje

In the Ottawa airport bookstore, after a few weeks in the woods, I picked up the paperback of Michael Ondaatje’s “The English Patient.” At the time I knew nothing of the writer. Too, I was traveling with my two small boys. An hour into the flight I looked up, so taken by the story and

(...)

Books: Looking Back

With friends and family griping about the dearth of good new reads, it’s worth a look back at the best of the last decade. That’s always my default: Nothing new? Look back. Explains reading all of Hardy, and Richard Yates, repeatedly. Of course, the last decade gave us the me me me “Eat, Pray, Love”

(...)

Books: Recent reads in dark times

I’m still in a funk over our elected leader and his mendacious staff. Fiction, even dark difficult fiction, provides an escape. Here’s where I’ve been: In the Midwest, two men heedlessly press on to their deaths. One is a right-to-life activist set on eliminating abortion providers. The other is a doctor who provides abortions for

(...)