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Reading: comfort and wisdom

Here’s what I’ve been reading and liking lately.

shoppingEvicted is a thick work of nonfiction by sociologist Matthew Desmond, about tenants and landlords in a poor part of Milwaukee. The book is richly told, detailed, Dickensian. I liked the telling more than the tale, which is depressing, heartbreaking, hopeless. Women and children, the disabled, the underemployed, the drug addicted losing their homes. Housing as a human right? I’m sold.

imagesOn to a big read, The Nix, by Nathan Hill, which tells the story of a young man who must reunite with the mother who abandoned him as a child, who has resurfaced as a political terrorist. This read is a wild ride that spans continents and decades, mostly set in and around contemporary Chicago. It’s a coming of age story, a love story, a satire, a terrifying on-the-ground retelling of the 1968 Chicago riots. 620 pages, so much to like.

images-1In my post-election funk, I needed comedy. Francine Prose’s Mister Monkey was my salve. From a musical that never goes out of style — Mister Monkey — we enter the lives of actors, the director, the author, a man and his grandson in the audience. What a delightful web! Each of their stories entrances; I especially loved the grandfather in the mix with today’s fussy parents and the school teacher on a first date from hell. Sweet, funny, surprising. A rollicking read.

Also in the blog

  We took our daughter Alex on a college tour that began in Berkeley and ended in New Orleans, with stops in between in Austin and Houston. Along with the touring, we did a lot of good eating. Here’s a report. Our host in Berkeley did all the cooking (thank you, Carl!) so I have

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Should you trust the narrator? Depends on the book. Two I read this summer set me up to believe that its main character, and narrator, was seeking to repair a significant love (a wife, a daughter). Each starts with a similar premise — I need to get her back — then widens in the telling,

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As you know, I’m not a fan of short stories. I’m hooked and then — it’s over? There are exceptions to this rule (Lauren Groff’s Florida, Alice Adam’s The Stories of Alice Adams, John Cheever’s The Stories of John Cheever, and just about anything by Mary Gaitskill.) And now I’ve come upon Claire Keegan’s Antartica

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