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Books: Start and Stop Reading

Wow. How many doorstoppers in a row?

First, Peter Orner’s “Love and Shame and Love.” A great title! His story is multigenerational but so choppily told I lost interest in every character.

Next, Anna Solomon’s “The Little Bride.” Another great title, well reviewed. I put it down two-thirds of the way through. If you put a young mail-order bride in a home with an old husband and young adults sons, something — O’Neill anyone? — should happen.

I couldn’t get through even the first (confusing) chapter of Lauren Grodstein’s “A Friend of the Family.”

I thought I was much farther into Edie Meidav’s “Lola, California: A Novel” before I quit. Again, a wonderful premise that stalls: a charismatic father on Death Row, dying from cancer. Nearby, at a nudist retreat, his estranged daughter, one of his followers and her best friend from high school. This set up goes on and on and on.

One book I liked a lot: Philip Larkin’s “Jill.” Set during World War II, a working-class scholar rooms with an aristocratic hellion at Oxford University. To make his roomate jealous, the scholar imagines a girl named Jill. Then Jill appears! It’s an odd story, a delicious read.

I did all this stop and start reading during recent travels to Philadelphia, New York and Washington, D.C.

At the Philadelphia Museum of Art, “Van Gogh Close Up” runs through May 6. See it. Some of these works are in the U.S. for the first time. Also in Philadelphia, Parc Restaurant & Bistro is as good as any in Paris and opens out to beautiful Rittenhouse Square.

Because I grew up on Rodgers & Hammerstein musicals, I’m a tough critic. What a delight, then, to be completely charmed by the Broadway musical “Once.”  An at-the-bar dinner followed, at Bond 45, an Italian steakhouse in Times Square. Another New York highlight: an evening stroll on the High Line and a bistro meal at Pastis, on Ninth Avenue.

In Washington we lucked into a guided tour of the U.S. Capitol, thanks to Senator Dick Durbin. The American plants and flowers woven into the interior architecture, and its dome — George Washington lounging with thirteen maidens — were highlights for me. Also Doug Aitken’s SONG 1, cinema and music that envelopes the Hirshhorn Museum, from sunset to midnight, through May 16.

Also in the blog

Most recently I read and enjoyed Ian McEwan’s Nutshell, a modern Hamlet narrated by a full-term fetus. Trudy, the pregnant mother, has dismissed her poet husband John from his childhood home, a crumbling mansion in a fashionable part of London. Taking his place? His brother Claude. Together, Trudy and Claude conspire to murder John Cairncross,

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With friends and family griping about the dearth of good new reads, it’s worth a look back at the best of the last decade. That’s always my default: Nothing new? Look back. Explains reading all of Hardy, and Richard Yates, repeatedly. Of course, the last decade gave us the me me me “Eat, Pray, Love”

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What to read after Jonathan Franzen’s luminous, full-bodied “Freedom?” I tried one of Franzen’s favorites, Paula Fox’s “Desperate Characters” (1970) but found it episodic and curiously unsatisfying I picked up Malamud’s “The Assistant” (1957). Its first sentence sets the inviting but grim tone: “The early November street was dark though night had ended…” By the

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