www.annemoore.net

 

 

 

 

 

Stay at home: reading and life

Greetings from my stay-in-place perch. I’ve always worked from a home office, so that part of lockdown hasn’t been a change. I dress in the morning, eat breakfast, read the newspapers, walk, practice piano and French, and get to my desk by nine. I write until noon, have lunch, run errands — well, no more errands, because stores are closed. I go to the grocery store for dinner supplies. With a new puppy I’m enjoying long walks in my beautiful neighborhood. I used to enjoy long walks on the lakefront path, but it’s closed. I admit to a deep funk the day the city’s parks and walking trails were closed. That said, I admire our political leaders for the steps they’ve taken to mitigate transmission. 

I haven’t been reading as much — distracted by the virus? (Check out my new reading spot by the windows in my kitchen.) That said, I recommend Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe. As a granddaughter of Irish Republicans, I thought I’d read everything about the paramilitary IRA and its terror campaign to rid the island of British occupation. Turns out I hadn’t. Keefe is nimble in his telling of a generation of warriors who terrorized the British, “disappeared” its own, starved themselves. A sobering, thrilling read. 

I also enjoyed My Dark Vanessa, by Kate Elizabeth Russell. The story is told by Vanessa as a fifteen-year-old “willing” victim of a teacher’s advances, and by Vanessa as an adult struggling to make sense of that relationship, especially as it continues. When we first meet Vanessa, her former teacher has been accused of “sexual grooming” by several students; it’s all over the news, and reporters are reaching out for Vanessa’s story. But theirs was a different relationship, Vanessa believes. Theirs was love. At times, this reader wanted to shake Vanessa: wake up! But her story is believable and compelling. Will Vanessa understand what he did to her? Even if you get frustrated with this character — and you will — read to the end. It’s satisfying. 

I’ve begun Lily King’s Writers & Lovers. I’m hooked, though it’s unnecessarily confusing in the beginning. I loved her Euphoria, a love triangle set in the 1930’s among anthropologists. Teed up: Temporary, by Hilary Leichter, Circe, by Madeline Miller, Golden Gates: Fighting for Housing in America, by Conor Dougherty. 

If you’d like to help independent booksellers closed because of the virus, order from bookshop.org. Stores receive 30 percent of each sale. 

To fill an empty hour of each weekday (not having lunch with friends, or a manicure, or or or) I draw and do watercolors. I’m focusing on “doors of Chicago.” I’m learning what’s visually important and how to employ color. 

Stay home, be well, pray the end of lockdown is near. 

Also in the blog

Let’s begin with books. I read, and loved, so many.* Most recently, A.M. Homes’ novel May We Be Forgiven, which begins with a series of unforgivable acts: a mindless and deadly car crash, adultery, murder. The only arc could be upwards, yes? Well, no — not in Homes’ New York suburbia. Before we arrive at

(...)

Some books should be sold shrink-wrapped with a box of tissues. Or two. That would be Jojo Moyes’ “Me Before You,” which brings new meaning to book grief. Louisa Clark is 27 and newly unemployed in an English tourist town where there aren’t a lot options. She’s not educated or worldly. She lives at home

(...)

It’s a rare treat to see the life’s work — or much of it — of a living artist. Photographer William Eggleston (b. 1939) has been a quiet sensation since 1976, when his color photographs were the first ever to be shown at New York’s Museum of Modern Art. Before that, color photography was the

(...)

Leave a Reply